Wednesday, July 14, 2010

Proof that "Statistical Analysis" is Just Another Buzzword

When writing about Tuxedo Kamen and How Sailor Moon is like The Breakfast Club:


I write like
Stephen King

I Write Like by Mémoires, Mac journal software. Analyze your writing!




When writing about Ami Mizuno:


I write like
Vladimir Nabokov

I Write Like by Mémoires, Mac journal software. Analyze your writing!




(which is kinda creepy if you think about it. . .)

When writing about a fateful wrong turn and how bad I thought the new Star Trek movie was gonna be:


I write like
Dan Brown

I Write Like by Mémoires, Mac journal software. Analyze your writing!




When writing about how bad it actually did turn about to be:


I write like
Douglas Adams

I Write Like by Mémoires, Mac journal software. Analyze your writing!




When writing about America:


I write like
Kurt Vonnegut

I Write Like by Mémoires, Mac journal software. Analyze your writing!




When writing about SCIENCE!:


I write like
Edgar Allan Poe

I Write Like by Mémoires, Mac journal software. Analyze your writing!





When writing about Dr. Tomoe, Rei, Makoto, and extremely dated political satire:


I write like
H. P. Lovecraft

I Write Like by Mémoires, Mac journal software. Analyze your writing!




For comparison, an excerpt from "The Dream-Quest of Unknown Kadath" by H.P. Lovecraft. I'll let you make up your own mind:

Three times Randolph Carter dreamed of the marvellous city, and three times was he snatched away while still he paused on the high terrace above it. All golden and lovely it blazed in the sunset, with walls, temples, colonnades, and arched bridges of veined marble, silver-basined fountains of prismatic spray in broad squares and perfumed gardens, and wide streets marching between delicate trees and blossom-laden urns and ivory statues in gleaming rows; while on steep northward slopes climbed tiers of red roofs and old peaked gables harbouring little lanes of grassy cobbles. It was a fever of the gods; a fanfare of supernal trumpets and a clash of immortal cymbals. Mystery hung about it as clouds about a fabulous unvisited mountain; and as Carter stood breathless and expectant on that balustraded parapet there swept up to him the poignancy and suspense of almost-vanished memory, the pain of lost things, and the maddening need to place again what once had an awesome and momentous place.

He knew that for him its meaning must once have been supreme; though in what cycle or incarnation he had known it, or whether in dream or in waking, he could not tell. Vaguely it called up glimpses of a far, forgotten first youth, when wonder and pleasure lay in all the mystery of days, and dawn and dusk alike strode forth prophetick to the eager sound of lutes and song; unclosing faery gates toward further and surprising marvels. But each night as he stood on that high marble terrace with the curious urns and carven rail and looked off over that hushed sunset city of beauty and unearthly immanence, he felt the bondage of dream’s tyrannous gods; for in no wise could he leave that lofty spot, or descend the wide marmoreal flights flung endlessly down to where those streets of elder witchery lay outspread and beckoning.


Link.

1 comment:

Naomi said...

haha I like that when you write about America you write like Vonnegut. Good on you brother.

 
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