Last Time. . .
CUT TO:
EXT, Sidewalk, Early Evening- Continuous
USAGI follows MAKOTO down the sidewalk. We hear the sound of sirens as police cruisers or ambulances occasionally pass by.
USAGI
Where are we going? Makoto?
Just then, a low flying jet liner appears in the sky. Makoto freezes, her eyes following the jet as it passes behind a building, out of sight.
USAGI
What was that?
(beat)
Makoto?
MAKOTO
(almost monotone)
Flights are being redirected away from Haneda. I saw it the train but. . .
(pause, then sighs)
Whatever.
CUT TO:
EXT, Sempai's House
MAKOTO walks up to the house, checking inside the windows.
USAGI
Mako--
MAKOTO
(whispers)
Shut up!
MAKOTO sneaks up to the house, crouching beneath the first floor windows, motioning to USAGI to stay back. When she comes up to the mailbox, she OPENS IT and DROPS IN THE PHONE. Then, grabbing onto USAGI'S hand, she runs away.
CUT TO:
EXT, Waterway- Continuous
USAGI and MAKOTO run alongside an inner-city waterway, overshadowed by a massive freeway overpass. After a moment, they come to a halt. MAKOTO quickly looks behind her.
USAGI
Okay. . . what was that?
MAKOTO
What do you think? Delivery.
USAGI shrugs, as if to say "WTF?".
MAKOTO
That was my ex-boyfriend's house. I was returning my ex-boyfriend's phone.
USAGI
Oh. . . wait, how did you--?
MAKOTO
Usagi, the story is long enough as it is. I'm just glad it's over.
PAUSE.
USAGI
(abruptly)
Was he cheating on you?
MAKOTO stops.
MAKOTO
Usagi. . . do I give off some air of openess? Like I really, really desperately want to talk about this?
USAGI
It's just that you didn't knock--
MAKOTO
Is it something about my body language--?
USAGI
And that whole "Mimi Hangul"--
MAKOTO
"Hanyuu." Look, Usagi--
USAGI
We had all of his contacts is all.
MAKOTO
What?
USAGI
You know. All the phone numbers of all the girls he's dating.
MAKOTO
. . . so?
USAGI
I dunno. I just thought, maybe you could call 'em up.
MAKOTO
And?
USAGI
Tell 'em to get off your man.
PAUSE.
MAKOTO
How old are you?
USAGI
Fourteen.
MAKOTO
. . . That sounds about right.
MAKOTO starts off again, but then slows to a stop. She's spotted something in the waterway-- a SUITCASE, floating gently down the stream. The sight of it, for some reason, makes Makoto nervous.
MAKOTO
Usagi, this place gives me the creeps. Let's go back out to the street.
MAKOTO walks toward an alleyway leading to the street, not quite able to take her eyes off the suitcase. USAGI follows. We see another low-flying plane in the distant background as we
CUT TO:
NEXT TIME.
Saturday, May 14, 2011
There's actually a major plot point here! Foreshadowing! Ooooh!
Labels:
I Should Write Sailor Moon,
SM Script
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