Last time. . .
CUT TO:
INT, Subway Car
The car has a few passengers, but isn't terribly crowded. USAGI sits in a chair near the door. A SALARYMAN is asleep next to her. MAKOTO stands over her. She holds her hand up, clenching and unclenching it, and then shaking it. She then looks down at Usagi, who's watching the the passing lights of the tunnel through the windows opposite her seat. She seems tense.
MAKOTO
Are you sure you're okay?
USAGI
(distracted)
What?
MAKOTO
Are you alright?
USAGI
(distant)
Yeah.
MAKOTO takes a nervous look around the car, as if expecting someone to come at her.
MAKOTO
So. . . what were you doing down in Shinjuku, anyway?
USAGI
I . . . I guess I just wanted to see that new department store. I don't know.
MAKOTO takes a quick look around again. USAGI reaches out and grabs part of Makoto's coat, admiring it.
MAKOTO
Well. . . you have impeccable timing.
USAGI
What were you doing there?
MAKOTO looks away briefly, embarrassed.
MAKOTO
Just meeting someone.
USAGI is still looking at the coat.
MAKOTO
Usagi?
USAGI lets go of the coat.
MAKOTO
Are you sure you're all right?
USAGI looks down. This makes Makoto more nervous.
MAKOTO
Usagi. . . I don't know what happened back there. I really don't know how I could've. . . Look, I've dealt with police before.
USAGI looks up, confused at where Makoto is going with this.
MAKOTO
And I've learned it's best to just not get involved with them. Besides, it's finished. The fight was finished. They knew, we knew it. If they got hurt, it was their own damn fault for starting it. There was no need to. . .
MAKOTO trails off. Even she realizes that she's trying more to convince herself of something than to convince Usagi. The two are silent for a moment. Makoto takes another look at her hand when-
USAGI
I helped, right?
MAKOTO
What?
(beat)
Yeah. Of course you did.
USAGI smiles a bit. The train turns a corner, and the SLEEPING MAN fall onto USAGI. She slides away, uncomfortable, but the man keeps falling onto her, somehow managing not to wake up.
MAKOTO
Hey!
MAKOTO reaches over and flicks the man's ear. He wakes up and, begrudgingly, sits back up, closing his eyes. Though the man has gotten off of her, USAGI is still tense.
MAKOTO
You didn't want to come down here, did you?
USAGI shakes her head.
USAGI
I haven't been on a subway in years.
MAKOTO
It's planes I can't stand. I don't care if I have to stay in Japan all my life. I'll never get on a plane.
ANNOUNCER
Tsugi wa. . . Roppongi, Roppongi desu.
MAKOTO
Well, next stop is Azabu-Juuban. We'll be out of here soon enough.
USAGI
Where to then?
Makoto is surprised by that question.
MAKOTO
Home.
USAGI's face whitens.
USAGI
What?
MAKOTO
Yeah, I'm taking you home. Where did you think we were going?
The train comes to a stop. USAGI quickly gets out of her seat and walks out the exit.
MAKOTO
(surprised)
Usagi?
CUT TO:
INT, Subway Platform- Continuous
USAGI walks down the platforms, away from the train. MAKOTO follows.
MAKOTO
Usagi!
USAGI ignores her. MAKOTO catches up and grabs her by the sleeve, turning her around.
MAKOTO
Usagi!
MAKOTO then abruptly lets go, remembering what happened in Shinjuku. USAGI just stands there, eyes fixed on the floor. MAKOTO gently puts her hands on Usagi's shoulders.
MAKOTO
Where were you going?
USAGI
(without looking up)
I don't know.
MAKOTO
You don't know? Look out there, Usagi--!
USAGI looks up. Whatever emotions have been stewing inside of her, they've now brought her to the brink.
USAGI
Look out where, Makoto? Big Sight? The whole city comes to a grinding halt because of Big Sight?! What do I care? What do you care?! Why do I have to be--
USAGI has to stop, before she loses it.
MAKOTO
(sympathetic)
Alright.
USAGI calms down a little. MAKOTO appears to finally have some small idea of what Usagi is going through.
MAKOTO
I won't make you go home.
USAGI
Thanks.
Pause.
MAKOTO
Have you eaten yet?
USAGI shakes her head.
USAGI
I'm not hungry.
MAKOTO
Well. . . come over anyway. I owe you one. Fending off those vile brutes and all.
USAGI hesitates.
MAKOTO
I'll make it easy for you. My place, or yours.
It won't take Usagi long to decide.
CUT TO:
EXT, Subway Exit, Early Evening
USAGI and MAKOTO emerge from the exit and on to the street.
MAKOTO
(pointing up the block)
Okay, my building is a few blocks--
The CELL begins to vibrate- there was a missed call. MAKOTO suddenly remembers whose phone it is, and comes to a halt.
MAKOTO
(under her breath)
God dammit.
MAKOTO pulls out the phone and opens it.
MAKOTO
Goddamn idiot. He'll probably think I stole his damn phone just to get--
Makoto sees the name and number of the person who called, and is appalled.
MAKOTO
Who in the-- who the hell is Mimi Hanyuu?
MAKOTO shakes her head in disgust.
MAKOTO
No. No, I cannot-- come on!
MAKOTO walks down the block, opposite of where she was pointing.
USAGI
Wait, I thought--
MAKOTO
Detour!
To Be Continued. . .
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