Last Time. . .
CUT TO:
INT, Crystal Chamber
The PROFESSOR, still in the chamber, listening to the hiss of static and other intermittent sounds coming out of the speakers, emanating from whatever is on the other end of that crystal. EUDIAL storms through the massive entryway.
EUDIAL
(angry)
Mimete-2?
The PROFESSOR slowly turns to face EUDIAL, only the glare of his glasses penetrating through the perpetual shadow that surrounds him. Clearly, he knows what she's talking about.
PROFESSOR
I take it you didn't get that from Kao Ling.
EUDIAL
That's twice now. Twice that Mimete has abandoned us! Abandoned you!
Pause. Eudial is fuming.
EUDIAL
And what about Tellu? She's going to be revived-- after what she did today! And Viluy--?
PROFESSOR
Stop.
Pause. The hiss of the speakers fills the room.
PROFESSOR
Listen.
After a moment, the hiss grows slightly deeper, and then rises to its usual pitch.
CUT TO:
INT, Infirmary
TELLU, laying in bed, with an IV connected to her arm, emaciated, barely alive. PTILOL wheels in a vat containing a now fully grown version of Tellu-- call her TELLU-2 for now-- floating in liquid, with a tangled mess of WIRES connected to her head.
CUT TO:
INT, Crystal Chamber
EUDIAL and the PROFESSOR.
PROFESSOR
That's her!
EUDIAL pauses, processing what he's just said.
EUDIAL
You mean. . .
A few CLICKS penetrate through the static.
PROFESSOR
There! There! That's her!
(laughs)
She's talking to us, Eudial! She's actually speaking to us!
EUDIAL
. . . what's "she" saying?
The PROFESSOR, still shrouded in shadow, walks slowly toward EUDIAL, taking in all the ambient noises as he does so.
PROFESSOR
I don't know. That's what I'm trying to find out.
EUDIAL looks up at the CRYSTAL.
PROFESSOR
What I do know, is that whatever she's saying. . . she's saying it louder.
EUDIAL'S eyes lock on the PROFESSOR'S.
PROFESSOR
We are closer, Eudial. Maybe not as close as you wanted-
EUDIAL casts her eyes down.
PROFESSOR
- but closer.
CUT TO:
INT, Infirmary
PTILOL places what looks like an ELECTRODE CAP, but with dozens of NEEDLES, on TELLU'S head. The needles begin to DIG into TELLU'S skull.
CUT TO:
INT, Crystal Chamber
PROFESSOR and EUDIAL.
PROFESSOR
You don't know how to deal with this, do you? Mimete's loss.
EUDIAL doesn't answer.
PROFESSOR
You were still recovering from your revival. We hadn't quite perfected the procedure yet.
CUT TO:
INT, Infirmary
PTILOL throws a switch. TELLU'S body begins to seize.
CUT TO:
INT, Crystal Chamber
PROFESSOR
Kao Ling and I thought Mimete's loss would be too much for you to handle.
CUT TO:
INT, Infirmary
TELLU-2, convulsing inside the vat.
CUT TO:
INT, Crystal Chamber
PROFESSOR reaches up and caresses EUDIAL'S cheek. EUDIAL, surprisingly, is beginning to tear up a little.
PROFESSOR
We created you so that you would never have to experience death. Experience loss. But, as much as we tried. . . Mimete was a loss.
PROFESSOR turns to one of the TANKS of energy that Eudial obtained.
PROFESSOR
This day. . . this was not a loss. This was a good day, Eudial.
The PROFESSOR, his face remaining in perpetual shroud, walks back to the railing to listen some more. After a moment, EUDIAL walks up to the PROFESSOR and slowly embraces him from behind.
CUT TO:
INT, Infirmary
TELLU-2-- who, for all intents and purposes is now just TELLU-- stands over the corpse she once occupied, in a heavy daze. She holds up her arm next to her discarded body, comparing it to her "old arm".
TELLU
(distant)
I worked for weeks on that tan.
We HOLD on a close up of PTILOL, facing the camera, as we-
CUT TO:
INT, Crystal Chamber Entrance
Outside the crystal chamber, CYRPINE (with a similar look to PTILOL'S just a moment ago) watches from a distance as the PROFESSOR and EUDIAL continue their long, strange embrace. We then
CUT TO:
A CLOSE-UP of the CRYSTAL. Seeing it up close for the first time, we realize that this crystal is actually composed of about six SHARDS, all put together-- though it appears as though there is one shard left to be attached.
CUT TO:
INT, Tokyo Police Department
A close up of a photograph a crystal which looks suspiciously like one of the SHARDS of the crystal from last scene. We briefly see the words OSA-P on the documents next to the photo.
TO BE CONTINUED.
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